For decades, Kathleen Edwards has been a cornerstone of North American roots music. Since making her debut with 2002's Failer, she's spent the 21st century occupying the grey area between genres, swirling together her own mix of alt-country, folk, and heartland rock & roll. It's a sound that has earned its creator more a half-dozen Juno nominations, as well as Top 40 success on both sides of the Canadian/American border. Now in her third decade as an artist, Kathleen Edwards has done more than carry the torch of songwriting heroes like Tom Petty, Neil Young, and Lucinda Williams — she's opened the door for others, too, inspiring a new generation of artists who, like her, blur the boundaries between genre and generation. A native of Ottawa, Ontario, Edwards was still in her early 20s when she released the critically-acclaimed Failer. The album's warm, woozy sound — crystallized on radio hits like "Six O'Clock News" — quickly turned her into one of the era's alt-country heroes. From the very start, though, Edwards' music seemed to exist somewhere out of time, resisting categorization even as Failer received a Juno nomination for "Roots & Traditional Album of the Year." "No one knew what to call my type of music back then," she says of those early years. "The Americana genre didn't exist yet, so they couldn't categorize me. I just made the kind of music I wanted to make." Edwards continued blazing her own trail with follow-up albums like Back to Me and Asking for Flowers. By the time Voyageur arrived in 2012, Americana very much did exist as a genre, and Edwards found herself riding a newfound commercial peak. The album reached Number 2 on the Canadian Albums Chart and Number 3 on Billboard's Folk Albums chart. Even so, a busy decade on the road had left her exhausted. After touring in support of Voyageur's release, Edwards left the music business altogether and moved to suburban Ontario, where she opened a coffee shop called — defiantly — "Quitters." "Before I turned 30, I toured the world and put our nearly four records, performed on TV, and had an incredible run," she says of her first 10 years in the spotlight. "What's interesting is that I walked away from all of it, too — and when I came back, I felt better than the person who put out Failer." By the late 2010s, Edwards felt recharged and revitalized. When a phone call arrived from Maren Morris, who was looking for songwriting partners for a new project, Edwards jumped at the chance to collaborate. The two musicians co-wrote "Good Woman," which appeared on Morris' Grammy-nominated album Girl in 2019. Back home in Canada, Edwards continued to write new material, eventually partnering with producer Ian Fitchuk for the album Total Freedom. Released in 2020, the album expanded her sound and her audience, boosted by two hit songs — "Options Open" and "Hard on Everyone" — that both reached the Top 30 on the Triple A chart in America. Total Freedom didn't just mark her return to the music industry. It was a rebirth, too. What's next? New music, of course. Edwards remains a fan of "ripping guitar riffs and good songs," and she's combining both into a follow-up album that showcases her legacy as well as her evolution. She maintains a presence on the road, too, playing her own gigs one minute and sharing shows with her heroes — including Willie Nelson, John Fogerty, and Bob Dylan — the next. "The amount of things I've gone through might make someone else quit…but quitting doesn't quite do it for me," she says. "I can't help but want to write great songs, connect with people, and see what's ahead. I don't love looking behind, even though it's one of the ways we can see what we've done, so I'm looking forward."

Internationally acclaimed as a mesmerizing live performer, Cary Morin’s soul-stirring voice and jaw-dropping fingerstyle guitar playing have captivated audiences for decades. “Cary is a unique and brilliant player, songwriter and singer. I have huge respect for his style and technique,” says legendary multi-instrumentalist and songwriter David Bromberg. “If you haven’t heard him yet, you should.” Morin’s latest project, Innocent Allies, honors his family’s Native American heritage and is inspired by the genius of famous western artist, Charles Marion Russell. “This record is a masterpiece worthy of its place among the great works of art it was created to honor,” says Trina Shoemaker, the Grammy-winning producer who mixed and mastered the album at her Alabama studio. “Through the songs, I was able to visualize these unseen paintings with uncanny clarity and feel the powerful emotions.” Morin’s career catalog fuses the best of American roots music: blues, folk, soul, bluegrass and the timeless and distinctive sounds of the rural countryside, from the Western Plains and Rocky Mountains to the rhythmic melting pot of the deep South. His music has reached millions through prestigious performances at venues like the Kennedy Center and Lincoln Center as well as national television and radio programs. He has shared stages with Taj Mahal, Los Lobos and Bonnie Raitt, among countless others, while earning multiple awards including two Indigenous Music Awards for Best Blues CD. When not performing across the US and Europe, Morin finds inspiration in Northern Colorado, which he proudly calls home.